Rock Music Trivia
How Did Underoath Get Their Name?
Find out how Underoath got their name and the deep meaning that resonates with their heavy and emotional sound.
Sam
September 24, 2025
Zombie movies weren’t always brains, gore, and groaning hordes. In fact, before George A. Romero dropped Night of the Living Dead in 1968, zombies in pop culture were usually tied to voodoo myths, not flesh-eating apocalypses. But Romero’s little black-and-white indie blew the doors off the genre and reshaped horror forever.
From there, things got complicated — because while Romero built his Dead universe, a split behind the scenes spawned a whole other series: Return of the Living Dead. Let’s break it down.
Romero’s original masterpiece. A low-budget film shot in Pittsburgh that introduced the modern zombie we all know: mindless, flesh-hungry, and relentless.
It was grim, political, and groundbreaking — a horror movie that doubled as social commentary. Night also set the stage for sequels… but also legal headaches.
Romero didn’t just stop at Night.
Dawn of the Dead moved the chaos to a shopping mall, mixing gore with biting satire about consumerism.
Day of the Dead took things underground, with scientists and soldiers arguing about what to do with a world overrun by zombies.
These films weren’t just horror flicks — they were allegories, each reflecting the anxieties of their era.
Here’s where things get wild. After Night of the Living Dead, a legal dispute between Romero and his co-writer John Russo led to a creative fork in the road.
Romero kept the rights to use the word “Dead” (hence Dawn and Day).
Russo kept the rights to Living Dead.
Russo’s path led to Return of the Living Dead in 1985, directed by Dan O’Bannon. But instead of sticking with Romero’s tone, Return went punk rock — literally. Faster zombies, talking corpses, gallons of gooey gore, and a soundtrack packed with punk bands.
It also introduced a rule that Romero never used: zombies craving brains. (Yep, that’s where the trope came from.)
Same roots, different branches. Both series came from Night of the Living Dead, but legal wrangling split them into two universes.
Romero’s films were bleak, satirical, and philosophical.
Return of the Living Dead was campy, chaotic, and gleefully over-the-top.
Both sides fed into the zombie pop culture explosion that followed — video games, TV shows like The Walking Dead, and decades of movies owe everything to that split.
So, are Night, Day, and Return of the Dead connected? Yes and no. They all trace back to Romero’s original 1968 classic, but the legal split created two very different zombie legacies: one serious, one outrageous.
And together they gave us the blueprint for every zombie story that came after.
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